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Fictional languages are artificially created language systems used in books, movies, and TV shows. They are used to make the fictional world more realistic, culturally deep, and convincing.
Such languages can have a full-fledged grammar, vocabulary, phonetics, and sometimes their own writing system. All this creates a sense of a real world, where each race or nation has its own linguistic identity.
When characters speak a fictional language, the viewer or reader feels that it is really another civilization, another world, with its own laws and culture. This is what creates the “immersion” effect that is so appreciated by science fiction and fantasy fans.
The Valyrian language was developed for the Game of Thrones series by American linguist David Peterson. It was based on only a few phrases from George Martin’s books, but on the screen it turned into a real language with grammar, syntax, and vocabulary.
In the series, Valyrian is spoken by Daenerys Targaryen and some of the inhabitants of Essos. The language has several dialects, including High Valyrian and Low Valyrian.
These phrases have become iconic. They are used in fan art, on merchandise, and even in tattoos. The pronunciation is clear, the sound is firm and commanding.
John Ronald R.R. Tolkien was not only a writer, but a professional philologist. His elven languages, Quenya and Sindarin, are among the most developed fictional languages in the world.
They have their own grammar, case system, lexical classes, and poetic formulas. Tolkien based them on Finnish and Welsh, which added melody and harmony.
In movies, these phrases often sound untranslated, but they are adapted in subtitles so that viewers understand the meaning.
Working with fictional languages is a challenge. The translator must master the grammar, sound system, and context of such languages.
Translators usually use official glossaries or create their own dictionaries by collaborating with linguists or fan communities.
It is important to maintain a balance between accuracy and artistic relevance. In subtitles, some of the lines are left in the original to preserve authenticity.
These languages have become a part of global pop culture, with fan dictionaries, translations, and some even official teaching.
Elvish: very melodic, with long vowels. For example, Namárië is pronounced [na-maa-ri-e]. It is used for solemn speeches and poetry.
Valyrian: firm, authoritative. It has a complex conjugation. For example, dracarys has an imperative tone.
Dothraki: guttural, rhythmic. The pronunciation contains “kh”, “sh”, and many short words. For example, athchomari shafkea! means “thank you!”.
Klingon: contains unique consonants, often pronounced with a click of the tongue. The word ‘Qapla’ is pronounced with a guttural ‘k’. It is the official language of the Federation in Star Trek.
Parceltang: hissing and full of hiss. It is used by wizards in the Harry Potter series to communicate with snakes.
Yes, and this is no joke. For example, Duolingo offers a course in Valyrian. There are fan sites, video tutorials, PDF grammars, dictionaries, and even proficiency tests.
Universities in the United States teach Elvish as part of a course on Tolkien’s literature. In 2022, Oxford hosted a conference dedicated exclusively to the languages invented by Tolkien.
| Language | Author | Difficulty | Source |
|---|---|---|---|
| Elvish | J. R. R. Tolkien | High | “The Lord of the Rings” |
| Valyrian | D. Peterson | Middle | “Game of Thrones” |
| Dothraki | D. Peterson | Middle | “Game of Thrones” |
| Klingon | Mark Okrand | High | “Star Trek” |
| Parceltang | J. K. Rowling | Low | “Harry Potter” |
Fictional languages are more than just scenery. They are the cultural component of a fictional world.
Translators who work with such languages must be linguists, fans, and artists all at once. They help make the stories deeper and the characters more alive. And that is where the true art of translation lies.

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